Loan Toolkit
SPG Loan is an online catalogue of sculptures available for placement in shared and communal spaces. The artworks were originally created for exhibitions and events and are now waiting in storage for a second life. Since 2018, Sculpture Placement Group has facilitated around 70 placements in schools, businesses, community groups, and universities.
The Loan Toolkit below provides artists and organisations with everything they need to plan and arrange a placement. All resources are free to download and use. Please get in touch if you have a query about the project.
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Contract templates and advice on rates & fees, for artists and organisations
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Subaques Voyage #2 2016
Louise Gibson, 2016
Description
Denim jeans, resin, wax1061 x 22 x 677mmWeight approx 14 kilosThis work is part of an on going series that is created from the discarded clothes that were collected from various areas in Berlin during the refugee crisis in 2015. Photography: © Dian Zagorchinov
Wedge
Alex Allan, 2016
Description
This sculpture was originally displayed on legs, but was recently split up for an exhibition and I’m not averse to it being split up completely, with the three sections being split up and distributed separately. Separate methods for display are shown.
Mallow
Jane Higginbottom, 2021
Description
Carved and painted stone based on the repeated forms of a mallow flower.
Folds
Laura Wilson, 2017
Description
Background, history, commissioner of the work ‘Folds’ was commissoned by SPACE, London for my solo exhibition (13 Jan–25 Mar 2017). The work saw me live carve a torso-sized piece of bath stone into the likeness of fresh bread dough alongside two female stonemasons. The work makes visible the passage of...
Vitrine: Samples of Radioactive Boglach
Aimee Lax, 2018
Description
A free-standing vitrine, containing small sculptures. Seen as a whole, unless arranged separate curation. Value incorporates entire vitrine as well as sculptural contents. In 2017 Aimee Lax took part in a residency at Cove Park, Scotland, overlooking Loch Long. She was immediately struck by the soil, peaty rich-brown and shimmering...
Outside the box of triangulation at the end of the low hanging fruit
Elke Finkenauer, 2015