Inspired by Psychoanalyst Donald Winnicott’s Squiggle Theory, my work is deeply motivated by the role of the subconscious and places importance on carefree aspects of squiggles and mark-making. My practice is predominantly ‘playing’ with materials, process and primitive techniques, it utilises the ‘formlessness’ of the squiggle: the subconscious guiding the foundation for visual production.
This copper sculpture was part of my degree show at Duncan of Jordanstone College of Art and Design in 2019.
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